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	<title>Archives des Discovery - Drawings-online</title>
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		<title>Le tombeau de Caecilia Metella par Hubert Robert</title>
		<link>https://drawings-online.com/en/le-tombeau-de-caecilia-metella-par-hubert-robert/</link>
		
		<dc:creator><![CDATA[Angélique Franck]]></dc:creator>
		<pubDate>Thu, 15 Jan 2026 20:22:26 +0000</pubDate>
				<category><![CDATA[Discovery]]></category>
		<category><![CDATA[Focus]]></category>
		<category><![CDATA[18th]]></category>
		<category><![CDATA[Old master drawing]]></category>
		<category><![CDATA[Grand Tour]]></category>
		<category><![CDATA[Rome]]></category>
		<category><![CDATA[Sanguine]]></category>
		<category><![CDATA[Voyage en Italie]]></category>
		<guid isPermaLink="false">https://drawings-online.com/?p=8842</guid>

					<description><![CDATA[<p>Hubert Robert (Paris, 1733-1808)Tombeau de Caecilia MetellaSanguine sur papier crème filigrané.285 x 399 mm &#8211; 11 1/4 x 15 11/16 in. Né à Paris en 1733, Hubert Robert reçoit une éducation classique, sous la protection de la famille Stainville-Choiseul, et fréquente l’atelier du sculpteur Michel-Ange Slodtz. En 1754, il se rend à Rome avec le [&#8230;]</p>
<p>L’article <a href="https://drawings-online.com/en/le-tombeau-de-caecilia-metella-par-hubert-robert/">Le tombeau de Caecilia Metella par Hubert Robert</a> est apparu en premier sur <a href="https://drawings-online.com/en/">Drawings-online</a>.</p>
]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">8842</post-id>	</item>
		<item>
		<title>Allegory of War and Peace by Antoon Sallaert</title>
		<link>https://drawings-online.com/en/allegory-of-war-and-peace-by-antoon-sallaert/</link>
		
		<dc:creator><![CDATA[Laurie Marty de Cambiaire]]></dc:creator>
		<pubDate>Tue, 25 Feb 2025 16:12:11 +0000</pubDate>
				<category><![CDATA[Discovery]]></category>
		<category><![CDATA[Focus]]></category>
		<category><![CDATA[17th]]></category>
		<category><![CDATA[Allégorie]]></category>
		<category><![CDATA[watercolor]]></category>
		<category><![CDATA[baroque]]></category>
		<category><![CDATA[Old master drawing]]></category>
		<category><![CDATA[flamand]]></category>
		<category><![CDATA[Gouache]]></category>
		<category><![CDATA[Rubens]]></category>
		<guid isPermaLink="false">https://drawings-online.com/?p=8696</guid>

					<description><![CDATA[<p>Antoon SallaertBrussels 1594 – 1650 Allegory of War and Peace &#160; Black chalk, pen and brown ink, brown wash and gouache on three assembled sheets of paper482 x 815 mm (19 x 32 1/16 in.) Antoon Sallaert was a painter, printmaker and draughtsman born in Brussels. His training with Michel de Bordeaux is documented, in [&#8230;]</p>
<p>L’article <a href="https://drawings-online.com/en/allegory-of-war-and-peace-by-antoon-sallaert/">Allegory of War and Peace by Antoon Sallaert</a> est apparu en premier sur <a href="https://drawings-online.com/en/">Drawings-online</a>.</p>
]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">8696</post-id>	</item>
		<item>
		<title>Jean-Honoré Fragonard and the Abbé de Saint-Non in Italy</title>
		<link>https://drawings-online.com/en/jean-honore-fragonard-et-labbe-de-saint-non-en-italie/</link>
		
		<dc:creator><![CDATA[Angélique Franck]]></dc:creator>
		<pubDate>Wed, 09 Oct 2024 12:50:30 +0000</pubDate>
				<category><![CDATA[Discovery]]></category>
		<category><![CDATA[Focus]]></category>
		<category><![CDATA[18th]]></category>
		<category><![CDATA[D'après les grands maitres]]></category>
		<category><![CDATA[Old master drawing]]></category>
		<category><![CDATA[Grand Tour]]></category>
		<category><![CDATA[Travel]]></category>
		<guid isPermaLink="false">https://drawings-online.com/?p=8656</guid>

					<description><![CDATA[<p>Jean-Honoré Fragonard (Grasse, 1732 &#8211; Paris, 1806) Details of Luca Giordano&#8217;s Judgment of Solomon and Domenico Beccafumi&#8217;s fresco in Siena&#8217;s Palazzo Pubblico. Executed on April 16 or 17, 1761 Black chalk 125 mm (150 mm with inscription) x 202 mm &#8211; 4 15/16 (5 7/8 with inscription) x 7 15/16 in. Annotation in pencil, lower [&#8230;]</p>
<p>L’article <a href="https://drawings-online.com/en/jean-honore-fragonard-et-labbe-de-saint-non-en-italie/">Jean-Honoré Fragonard and the Abbé de Saint-Non in Italy</a> est apparu en premier sur <a href="https://drawings-online.com/en/">Drawings-online</a>.</p>
]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">8656</post-id>	</item>
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		<title>Sixteen preparatory cartoons for the decor of the Collegio Artigianelli church by Enrico Reffo ( 1831-1917 )</title>
		<link>https://drawings-online.com/en/sixteen-preparatory-cartoons-for-the-decor-of-the-collegio-artigianelli-church-by-enrico-reffo-1831-1917/</link>
		
		<dc:creator><![CDATA[admin6905]]></dc:creator>
		<pubDate>Sat, 15 Apr 2023 15:30:19 +0000</pubDate>
				<category><![CDATA[Workshop]]></category>
		<category><![CDATA[Discovery]]></category>
		<category><![CDATA[Focus]]></category>
		<category><![CDATA[19th]]></category>
		<category><![CDATA[angels]]></category>
		<category><![CDATA[musician angels]]></category>
		<category><![CDATA[Artist's studio]]></category>
		<category><![CDATA[19th century drawings]]></category>
		<category><![CDATA[Turin School]]></category>
		<category><![CDATA[Piedmontese school]]></category>
		<category><![CDATA[Putti]]></category>
		<guid isPermaLink="false">https://drawings-online.com/?p=6893</guid>

					<description><![CDATA[<p>&#160; Enrico Reffo Torino 1831 – 1917 Discover the 16 cartoons, black chalk and pencil fixed with brush presented by Drawings-online &#160; Born in Turin in 1831, Enrico Reffo was initiated by his father into goldsmithing, then followed, from the age of 22, evening classes of painters Alessandro Antonelli and Michele Cusa at the Accademia [&#8230;]</p>
<p>L’article <a href="https://drawings-online.com/en/sixteen-preparatory-cartoons-for-the-decor-of-the-collegio-artigianelli-church-by-enrico-reffo-1831-1917/">Sixteen preparatory cartoons for the decor of the Collegio Artigianelli church by Enrico Reffo ( 1831-1917 )</a> est apparu en premier sur <a href="https://drawings-online.com/en/">Drawings-online</a>.</p>
]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">6893</post-id>	</item>
		<item>
		<title>Project for the Frontispiece of the Biblia Sacra by Cristoforo Zane by Giambattista Tiepolo</title>
		<link>https://drawings-online.com/en/project-for-the-frontispiece-of-the-biblia-sacra-by-cristoforo-zane-by-giambattista-tiepolo/</link>
		
		<dc:creator><![CDATA[Angélique Franck]]></dc:creator>
		<pubDate>Fri, 02 Dec 2022 12:57:57 +0000</pubDate>
				<category><![CDATA[Discovery]]></category>
		<category><![CDATA[Focus]]></category>
		<category><![CDATA[Bible]]></category>
		<category><![CDATA[Old master drawing]]></category>
		<category><![CDATA[preparatory drawing]]></category>
		<category><![CDATA[Venitian drawing]]></category>
		<category><![CDATA[frontispice]]></category>
		<category><![CDATA[Engraving]]></category>
		<category><![CDATA[Religious subject]]></category>
		<guid isPermaLink="false">https://drawings-online.com/?p=6531</guid>

					<description><![CDATA[<p>Giambattista Tiepolo Venice, 1696 &#8211; Madrid, 1770 Project for the Frontispiece of the Biblia Sacra by Cristoforo Zane Black chalk and brown ink wash. 210 x 145 mm &#8211; 8 1/4 x 5 11/16 in. We are grateful to Bernard Aïkema for confirming the attribution to Giambattista Tiepolo after examination of the present drawing in [&#8230;]</p>
<p>L’article <a href="https://drawings-online.com/en/project-for-the-frontispiece-of-the-biblia-sacra-by-cristoforo-zane-by-giambattista-tiepolo/">Project for the Frontispiece of the Biblia Sacra by Cristoforo Zane by Giambattista Tiepolo</a> est apparu en premier sur <a href="https://drawings-online.com/en/">Drawings-online</a>.</p>
]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">6531</post-id>	</item>
		<item>
		<title>From the Gironde estuary to the Dolmens of Saint-Nazaire, Stanislas Gorin’s Finest Days.</title>
		<link>https://drawings-online.com/en/from-the-gironde-estuary-to-the-dolmens-of-saint-nazaire-stanislas-gorins-finest-days/</link>
		
		<dc:creator><![CDATA[Laurie Marty de Cambiaire]]></dc:creator>
		<pubDate>Tue, 22 Mar 2022 13:39:27 +0000</pubDate>
				<category><![CDATA[Discovery]]></category>
		<category><![CDATA[Focus]]></category>
		<category><![CDATA[19th]]></category>
		<category><![CDATA[Sketchbook]]></category>
		<category><![CDATA[watercolor]]></category>
		<category><![CDATA[Bordeaux]]></category>
		<category><![CDATA[19th century drawings]]></category>
		<category><![CDATA[Gironde]]></category>
		<category><![CDATA[Landscape]]></category>
		<category><![CDATA[Travel]]></category>
		<guid isPermaLink="false">https://drawings-online.com/?p=5557</guid>

					<description><![CDATA[<p>Stanislas Gorin Argent-sur-Sauldre, 1824 – La Brède, 1874 &#8220;Mes Beaux Jours” (My Golden Days), an album of 53 drawings Ink and watercolor. Notebook : 260 x 340 mm ; sheet : 253 x 325 mm. An integral part of the artist’s daily life, this notebook containing 53 drawings, invites us into the author’s private space, [&#8230;]</p>
<p>L’article <a href="https://drawings-online.com/en/from-the-gironde-estuary-to-the-dolmens-of-saint-nazaire-stanislas-gorins-finest-days/">From the Gironde estuary to the Dolmens of Saint-Nazaire, Stanislas Gorin’s Finest Days.</a> est apparu en premier sur <a href="https://drawings-online.com/en/">Drawings-online</a>.</p>
]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">5557</post-id>	</item>
		<item>
		<title>Rediscovery of an unpublished drawing by Andrea Boscoli</title>
		<link>https://drawings-online.com/en/rediscovery-of-an-unpublished-drawing-by-andrea-boscoli/</link>
		
		<dc:creator><![CDATA[Laurie Marty de Cambiaire]]></dc:creator>
		<pubDate>Fri, 17 Sep 2021 18:30:52 +0000</pubDate>
				<category><![CDATA[Discovery]]></category>
		<category><![CDATA[16th]]></category>
		<category><![CDATA[Florentine drawings]]></category>
		<category><![CDATA[Manierist drawings]]></category>
		<guid isPermaLink="false">https://drawings-online.com/?p=3966</guid>

					<description><![CDATA[<p>  On the occasion of the rediscovery of a small unpublished drawing representing the prophet Isaiah from the fresco by Raphael in Sant&#8217;Agostino in Campo Marzio, this month&#8217;s focus explores Andrea Boscoli&#8217;s relationship to Renaissance masters, from the copying of a motif to its absorption.   ANDREA BOSCOLIFlorence, c.1560 &#8211; Rome 1608The prophet Isaiah, after [&#8230;]</p>
<p>L’article <a href="https://drawings-online.com/en/rediscovery-of-an-unpublished-drawing-by-andrea-boscoli/">Rediscovery of an unpublished drawing by Andrea Boscoli</a> est apparu en premier sur <a href="https://drawings-online.com/en/">Drawings-online</a>.</p>
]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3966</post-id>	</item>
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