{"id":6324,"date":"2022-10-25T14:10:26","date_gmt":"2022-10-25T12:10:26","guid":{"rendered":"https:\/\/drawings-online.com\/product\/\/"},"modified":"2024-03-05T14:49:14","modified_gmt":"2024-03-05T13:49:14","slug":"franc-maconnerie-dessins-et-gravures-du-chevalier-de-berainville-1777","status":"publish","type":"product","link":"https:\/\/drawings-online.com\/en\/product\/freemasonry-drawings-and-engravings-by-the-chevalier-de-berainville-1777\/","title":{"rendered":"Freemasonry, drawings and engravings by the Chevalier de B\u00e9rainville, 1777"},"content":{"rendered":"

Pierre Claude Person dit Person de B\u00e9rainville<\/strong><\/p>\n

XVIIIe<\/sup> si\u00e8cle<\/p>\n

 <\/p>\n

    \n
  1. Project for a preparatory medallion: \u201cVotum unum per Orbem\u201d dedicated to the glory of Marie-Caroline of Austria, Queen of Naples<\/em>.<\/strong><\/li>\n<\/ol>\n

     <\/p>\n

    P<\/p>\n

    Pen and brown ink with brown wash and white highlights; circular composition on a rectangular sheet framed within a double black line.<\/p>\n

    Signed, inscribed and dated: \u201cP. de B\u00e9rainville inv. \/F.<\/em>.<\/sup>. <\/em>Voysard<\/em> \/ Ch. Allegre pinx<\/em> \/ Carola Regina\/Neapolitanorum frangit vincula\/Aprilis 1777<\/em>.\u201d<\/em><\/p>\n

    248 x 178 mm – 9 3\/4 x 7 1\/64 in.<\/p>\n

     <\/p>\n

    Bibliography<\/p>\n

    Louis Petit de Bachaumont, M\u00e9moires secrets pour servir \u00e0 l\u2019histoire de la r\u00e9publique des lettres en France depuis 1762 <\/em>or Journal d\u2019un observateur <\/em>(Secret Memoirs to serve the History of the Republic of Letters in France<\/em> or Diary of an Observer<\/em>), Volume X, p. 217.<\/p>\n

     <\/p>\n

    \"\"<\/a>
    Gravure incluse dans l’emboitage<\/figcaption><\/figure>\n

    This drawing (of which an engraving has been made) represents the deliverance of the Naples Freemasons through the protection of the queen of the kingdom. The engraving\u2019s text provides the following explanation, \u201cTO THE IMMORTAL GLORY OF THE AUGUST CAROLINE, QUEEN OF NAPLES \/ Masonic virtue loaded with chains and dragged by Imposture into the horrors of the dungeons\u2026Truth lifts the veil which hid the Temple erected by the Masons to the glory and happiness of humanity, from the eyes of the Profane. THE AUGUSTE CAROLINE, MINERVA, today led by the goodness from which she is inseparable, comes to the aid of the innocent victim…Imposture shudders, its mask falls, and the loss of its Prey brings a climax to its furies \/ At the bottom of a dungeon, without hope, without support \/ Timid VIRTUE, which imposture immolates \/ Sees today in CAROLINE\/ and her Salvation, and her IDOL \/ PRESENTED TO HER MAJESTY AND DEDICATED TO S.<\/em>.<\/sup><\/em>.<\/em>.A.<\/em>.<\/sup><\/em>.<\/em>.S.<\/em>.<\/sup><\/em>.<\/em> MGR LE DUC DE CHARTRES GRAND MA\u00ceTRE DE TOUTE LES LL.<\/em>.<\/sup><\/em>.<\/em> R.<\/em>.<\/sup><\/em>.<\/em> DE France Par le Cher<\/sup> P. de Berainville \/ F.<\/em>.<\/sup><\/em>.<\/em> de la L.<\/em>.<\/sup><\/em>. <\/em>de THALIE \u00c0 l\u2019 O.<\/em>.<\/sup>.<\/em>  of Paris.\u201d<\/p>\n

     <\/p>\n

    The drawing illustrates how Marie-Caroline, Queen of Naples, daughter of Emperor Francis I (who was a Mason) and sister of Joseph II, supported the Italian Freemasons and tried to protect them against the prohibition edict issued against the Freemasons by her husband, Ferdinand IV, in 1775. The Queen’s protection was celebrated in several songs and illustrated in various engravings made in her honour.<\/p>\n

     <\/p>\n

     <\/p>\n

      \n
    1. Project for a Preparatory Vignette: \u201cTimor unus una Laetitia \u2013 illustration dedicated to restoring the health of SAS Mgr le duc de Chartres.<\/em><\/strong><\/li>\n<\/ol>\n

       <\/p>\n

      Pen and brown ink with brown wash; circular composition on a rectangular sheet, framed within a double black line.<\/p>\n

      250 x 178 mm – 9 13\/16 x 7 1\/64 in.<\/p>\n

       <\/p>\n

      \"\"<\/a>
      Engraving held at the BNF<\/figcaption><\/figure>\n

      The engraving made after this project held at the BNF<\/a>,<\/p>\n

      provides the explanation for the illustration: “RESTORATING THE HEALTH OF S.<\/em>.<\/sup>.<\/em> A.<\/em>.<\/sup>.<\/em> S.<\/em>.<\/sup>.<\/em> MGR<\/sup> LE DUC DE CHARTRES \/ LES PARQUES weave the weft of the days of S.<\/em>.<\/sup>.<\/em>G.<\/em>.<\/sup>.<\/em> MAITRE LOUIS PHILIPPE JOSEPH D\u2019ORLEANS DUC DE CHARTRES … Aesculapius removes the precious thread from Atropos\u2019 fatal scissors; Masonry watches its light about to slip away with dismay, while Hymen \u2013 seated on the attributes of the Arts, holding two crowns of myrtle, symbols of the birth of Princes MGR<\/sup> LE DUC DE VALOIS and MGR<\/sup> LE DUC DE MONTPENSIER in her arms \u2013 places two other wreaths woven with roses depicting the two newly born twin PRINCESSES \/on S.A.S\u2019s shield.<\/p>\n

      His days spun by Felicity \/ Escaping the Scissors of Fate \/ PRESENTED TO HIS SERENE HIGHNESS AND DEDICATED TO ALL MM.<\/em>.<\/sup>. <\/em>RR.<\/em>.<\/sup>.<\/em> DE FRANCE. By Cher<\/sup> P. de Berainville \/ .<\/em>.<\/sup>.<\/em> de la L.<\/em>.<\/sup>.<\/em> de THALIE \u00c0 l\u2019 O.<\/em>.<\/sup>.<\/em> of Paris.\u201d<\/p>\n

       <\/p>\n

      In September 1777, the Duc de Chartres became ill. The Freemasons celebrated his convalescence at the \u00e9glise des Cordeliers with a Te Deum set to music, an event reserved for those who could enter with \u201crecognisable signs\u201d. On this occasion, B\u00e9rainville takes the opportunity to produce a new vignette project that is not mentioned by Bachaumont.<\/p>\n

      Bachaumont explains that on August 7th, 1777, the Freemasonry commissioned B\u00e9rainville “known for his genius for allegory” to produce an engraved allegory dedicated to the Duc de Chartres, relating to “the brothers of Naples\u2019 adventure and the happy outcome it made.\u201d This is probably the engraved medallion produced by chevalier de B\u00e9rainville on September 8th, 1777. Bachaumont comments that, “there is no doubt that this happy attempt will give chevalier de B\u00e9rainville the dignity of the medallist in charge of the mottos and inscriptions of the ‘order’.\u201d<\/p>\n

       <\/p>\n

      \"\"<\/a>
      Gravure incluse dans l’emboitage<\/figcaption><\/figure>\n

      Engraving “Le temple de l’Humanit\u00e9” included.<\/p>\n

       <\/p>\n

      Former magistrate and special lieutenant of water and forests, Person de B\u00e9rainville was also a writer and a member of several learned and Masonic societies. He was the author of many plays, lyrical dramas and comedies, such as La tendresse villageoise<\/em> (Village Tenderness<\/em>), performed during celebrations given for the birth of Madame Royale (1778) or L\u2019\u00c9preuve du sentiment <\/em>or les deux fr\u00e8res <\/em>(The Trial of Sentiment<\/em> or The Two Brothers<\/em>), performed at the Palais-Royal in March 1789. B\u00e9rainville was also the inventor of several machines that were exhibited at the Salon du Museum <\/em>between 1792 and 1799, the operation of which he explains in Recueil de m\u00e9canique relatifs \u00e0 l\u2019agriculture et aux<\/em> arts<\/em> (Mechanics Compendium Relating to Agriculture and the Arts<\/em>) in 1802. Louis Petit de Bachaumont mentions B\u00e9rainville several times in his M\u00e9moires secrets pour servir \u00e0 l\u2019histoire de la r\u00e9publique des lettres en France<\/em> (\u2026) <\/em>(Secret Memoirs to serve the History of the Republic of Letters in France<\/em> (\u2026)) and presents him as an amateur courtier who regularly offered or presented verses and drawings: in June 1774, an allegorical medal on the new reign to the Duke of Aumont; in February 1775, a drawing addressing the return of Parliament to M. d’Aligre, “who received it with great honesty, but did not, in his reception, show all the enthusiasm that the circumstances required”; in 1776, an allegorical drawing celebrating the reign of Marie-Th\u00e9r\u00e8se of Austria in gratitude for which she would send him five medals from the imperial cabinet ; and finally, in 1777, a medal presenting the subject of the Queen of Naples protecting the Italian Freemasons.<\/p>\n","protected":false},"excerpt":{"rendered":"

      Pierre Claude Person dit Person de B\u00e9rainville XVIIIe si\u00e8cle   Project for a preparatory medallion: \u201cVotum unum per Orbem\u201d dedicated to the glory of Marie-Caroline of Austria, Queen of Naples.   P Pen and brown ink with brown wash and white highlights; circular composition on a rectangular sheet framed within a double black line. Signed, […]<\/p>\n","protected":false},"featured_media":6333,"template":"","meta":{"_themeisle_gutenberg_block_has_review":false},"product_brand":[],"product_cat":[78],"product_tag":[24,403,345,36,404,353,309,268,392,35],"class_list":{"0":"post-6324","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-french-school","7":"product_tag-18th","8":"product_tag-dessin-grave","9":"product_tag-old-master-drawings","10":"product_tag-brown-ink","11":"product_tag-franc-maconnerie","12":"product_tag-gallery","13":"product_tag-illustration","14":"product_tag-medals","15":"product_tag-n13","16":"product_tag-pen","18":"first","19":"instock","20":"taxable","21":"shipping-taxable","22":"purchasable","23":"product-type-simple"},"yoast_head":"\nFreemasonry, drawings and engravings by the Chevalier de B\u00e9rainville, 1777<\/title>\n<meta name=\"description\" content=\"Pierre Claude Person dit Person de B\u00e9rainville XVIIIe si\u00e8cle   Project for a preparatory medallion: \u201cVotum unum per Orbem\u201d dedicated to the glory of Marie-Caroline of Austria, Queen of Naples.   P Pen and brown ink with brown wash and white highlights; circular composition on a rectangular sheet framed within a double black line. 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