{"id":4327,"date":"2023-07-11T05:40:23","date_gmt":"2023-07-11T03:40:23","guid":{"rendered":"https:\/\/drawings-online.com\/product\/\/"},"modified":"2026-01-15T18:20:42","modified_gmt":"2026-01-15T17:20:42","slug":"deux-episodes-de-la-vie-du-marechal-de-catinat-par-jean-demosthene-dugourc-une-paire","status":"publish","type":"product","link":"https:\/\/drawings-online.com\/en\/product\/two-episodes-from-the-life-of-marshal-de-catinat-by-jean-demosthene-dugourc-a-pair\/","title":{"rendered":"Two episodes from the life of Marshal de Catinat by Jean D\u00e9mosth\u00e8ne Dugourc (a pair)"},"content":{"rendered":"

Jean D\u00e9mosth\u00e8ne Dugourc<\/strong><\/p>\n

Versailles 1740 \u2013 Paris 1825<\/p>\n

    \n
  1. The Awakening of Marshal de Catinat<\/em><\/strong><\/li>\n
  2. Officers Presented to Marshal Catinat<\/em><\/strong><\/li>\n<\/ol>\n

    Pen and grey ink with grey wash over pencil marks. Monogrammed and dated 1776 lower right (1) and lower left (2).<\/p>\n

    175 x 360 mm<\/p>\n

    Provenance: Paris, H\u00f4tel Drouot, Me Desvouges, May 3rd, 1913, n\u00b0 49 (for the “R\u00e9veil du Mar\u00e9chal de Catinat” (The Awakening of Marshal de Catinat); A. Trezel Collection ; Anonymous sale; Paris, H\u00f4tel Drouot, Tajan, March 29th, 2000, n\u00b0 74; Paris, Artcurial, June 16th, 2020, n\u00b0 48<\/a>.<\/p>\n

    Bibliography:Under the direction of Emmanuelle Brugerolles, De l\u2019alc\u00f4ve aux barricades<\/em> (From the Alcove to the Barricades), Beaux-arts de Paris \u00e9ditions, 2016, p. 166, ill. 1.<\/p>\n

     <\/p>\n

    Though he remains poorly studied today, during his lifetime, Jean D\u00e9mosth\u00e8ne Dugourc was a veritable celebrity who enjoyed a fruitful and eventful career. Dugourc\u2019s father was superintendent of the Duke of Orleans\u2019 household, so the boy grew up with the Duke of Chartres and benefited from the same thorough education. In 1764, shortly after the spectacular archaeological discoveries of Herculaneum and Pompeii, the Count of Cani took Dugourc to Rome. On returning to Paris, Dugourc worked for some time with the Inspector General of Artillery, Monsieur de Gribeauval who, Anatole de Montaiglon tells us, “associated him with military work for his Valenciennes Government, serving the Royal Corps of Engineers.”[1]<\/a> But Dugourc did not stay in the post of military engineer for long and, joining forces with his brother-in-law Joseph Belanger, participated in decorating the Bagatelle, Saint-Germain and Maisons-Lafitte chateaux. Appointed bedroom and cabinet designer to Monsieur in 1780 [2]<\/a>, Dugourc became a specialist in theatre sets in France and Europe. His stage sets and maquettes for Brunoy’s theatre were a great success and in 1781 it was to Dugourc that the King of Sweden appealed to design the sets and costumes for the first six operas performed in Stockholm\u2019s newly built theatre.<\/p>\n

     <\/p>\n

    Dugourc became the must-have creator for every prince\u2019s folly, pavilion or abode; financiers and amateurs courted the artist and snapped up his work. Foreign rulers Paul IV, Catherine II and Charles IV of Spain took turns in trying to attract him to their homes, but most of the time obtained nothing more than blueprints. After being appointed director of sets and costumes for the Op\u00e9ra in 1783, Dugourc became Supervisor for the buildings of Monsieur and in 1784, designer of the Crown\u2019s Garde-Meuble[3]<\/a>. During the Revolution, he built wallpaper, playing cards and porcelain factories. In 1799, Dugourc was nominated first architect to the King of Spain. Returning to Paris after the Restoration, he recovered his position at the Garde-Meuble in 1816 and held it until his death. It was Dugourc who designed the throne room at the Tuileries.<\/p>\n

     <\/p>\n

    These two beautiful drawings deal with events in the life of Marshal Nicolas de Catinat, a remarkable 17th century military leader whose biography M\u00e9moire pour servir \u00e0 la vie de Nicolas de Catinat<\/em> (Memoir Dedicated to the Life of Nicolas de Catinat), written by the Marquis de Cr\u00e9quy in 1772, was reprinted in 1774 and 1775. This elegy for Catinat was the subject that received the annual French Academy prize in 1775. Around ten texts recounting significant events in the Marshal\u2019s life were published. Dated 1776, our two drawings constitute part of this renewed interest in the Marshal\u2019s life.<\/p>\n

     <\/p>\n

    For the first work that bears the inscribed title R\u00e9veil du Mar\u00e9chal de Catinat<\/em> (The Awakening of Marshal de Catinat), the artist selects an event from the day after the victory of La Marsaille on October 5th, 1693, inspired by precise facts from Count JAH de Guibert\u2019s account: the Marshal spent the night outside and woke up to find flags, trophies and other tokens of victory assembled around him by cheering gendarmes. A second more detailed drawing from one year later is kept at the \u00c9cole des Beaux-arts in Paris (Inv. PM 2561<\/a>) and is annotated by the artist with extracts from Guibert’s story. This is probably the final draft for an engraving, perhaps made to illustrate one of those elegies. Our drawing is a free, light sketch of the subject, signed with the elegant monogram found on several of the artist’s drawings.<\/p>\n

     <\/p>\n

    The second episode is more difficult to identify: it shows the Marshal on horseback surrounded by a crowd of officers and soldiers, some of whom are wounded and on the ground. The title written on the mount is Officiers, pr\u00e9sentez au Mar\u00e9chal de Catinat <\/em>(Officers, Present Yourselves to Marshal Catinat). Nothing in Guibert’s account aligns exactly with this title that seems to be a military order. It may be the result of Catinat’s victory against the Duke of Savoy at Saluces as recounted by Guibert: \u201cHis first care after this combat was to visit the wounded and thank the troops for their services. The regiments came out of their tents and surrounded him \u2013 first with loud cries to show their joy \u2013 then with deep silence to absorb his words.\u201d It could also represent the victory of Marsaille about which Guibert tells us, “Let us remember these details in very honourable paintings for Catinat…. Ordinary soldiers called on him to be consoled by his words…. Depict Catinat in the midst of that day\u2019s glorious victims! They rise up on their wounds; they cease their cries; every man wants to be seen by him; no one asks him for the blood he has spilled….”<\/p>\n

     <\/p>\n

    Was this a series in honour of the Marshal? Or two projects for an illustration for which only the subject of the awakening was retained, no doubt because it was more precise? The late 1760s and 1770s saw the emergence of historicist projects, the start of a fashion that would continue into the 1780s until the Revolution put a stop to the glorification of the monarchist past. Still in their original mounts and superb Louis XVI frames, these two works by Jean D\u00e9mosth\u00e8ne Dugourc are two particularly representative examples of this trend, and are also highly indicative of the artist’s talent as a draughtsman.<\/p>\n

     <\/p>\n

     <\/p>\n

    [1]<\/a> \u201cNouvelles Archives de l\u2019Art fran\u00e7ais\u201d (New Archives of French Art), <\/em>1877, p. 367 – 371).<\/p>\n

    [2]<\/a> From the Valois onwards, the title of “Monsieur” was granted to princes of the royal family. During the sixteenth century and throughout the Ancien R\u00e9gime, it was reserved for the king\u2019s younger brother; in this case, Louis<\/a>,\u00a0comte de Provence<\/a>\u00a0(1774-1793).<\/p>\n

    [3]<\/a> Under the\u00a0Ancien R\u00e9gime<\/a>, the\u00a0Garde-Meuble <\/em>was the department of the\u00a0Maison du Roi<\/em><\/a>, responsible for the order, upkeep, storage and repair of all\u00a0furniture<\/a>, art, and other movable objects in the royal palaces.<\/p>\n

     <\/p>\n","protected":false},"excerpt":{"rendered":"

    Jean D\u00e9mosth\u00e8ne Dugourc Versailles 1740 \u2013 Paris 1825 The Awakening of Marshal de Catinat Officers Presented to Marshal Catinat Pen and grey ink with grey wash over pencil marks. Monogrammed and dated 1776 lower right (1) and lower left (2). 175 x 360 mm Provenance: Paris, H\u00f4tel Drouot, Me Desvouges, May 3rd, 1913, n\u00b0 49 […]<\/p>\n","protected":false},"featured_media":4344,"template":"","meta":{"_themeisle_gutenberg_block_has_review":false},"product_brand":[],"product_cat":[78],"product_tag":[24,345,25,353,26,494,331],"class_list":{"0":"post-4327","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-french-school","7":"product_tag-18th","8":"product_tag-old-master-drawings","9":"product_tag-grey-ink","10":"product_tag-gallery","11":"product_tag-gray-wash","12":"product_tag-christmas","13":"product_tag-military-subjects","15":"first","16":"instock","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-simple"},"yoast_head":"\nTwo episodes from the life of Marshal de Catinat by Jean D\u00e9mosth\u00e8ne Dugourc (a pair)<\/title>\n<meta name=\"description\" content=\"Jean D\u00e9mosth\u00e8ne Dugourc Versailles 1740 \u2013 Paris 1825 The Awakening of Marshal de Catinat Officers Presented to Marshal Catinat Pen and grey ink with grey wash over pencil marks. 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