{"id":3630,"date":"2021-07-02T09:15:03","date_gmt":"2021-07-02T07:15:03","guid":{"rendered":"https:\/\/artesepia.com\/product\/\/"},"modified":"2023-01-17T18:51:30","modified_gmt":"2023-01-17T17:51:30","slug":"trois-etudes-pour-le-decor-du-grand-escalier-de-lopera-de-paris-par-isidore-pils","status":"publish","type":"product","link":"https:\/\/drawings-online.com\/en\/product\/three-studies-for-the-grand-stairs-decors-in-the-paris-opera-by-isidore-pils\/","title":{"rendered":"Three Studies for the Grand Stairs decors in the Paris Opera by Isidore Pils"},"content":{"rendered":"<p><strong>Isidore Pils<\/strong><\/p>\n<p>Paris 1815 \u2013 Douarnenez 1875<\/p>\n<p><strong><em>Three Studies for the Grand Stairs decors in the Paris Opera\u00a0; a hand holding a stick, a left foot and crossed legs<\/em><\/strong><\/p>\n<p>Black, red and white chalk on beige paper.<\/p>\n<p>Inscribed lower right with red chalk <em>Op\u00e9ra<\/em>. On the verso, later inscriptions <em>caisson est du grand escalier<\/em>. Numbered <em>n\u00b0 4485<\/em>.<\/p>\n<p>312 x 476 mm &#8211; 12 5\/16 x 18 3\/4 in.<\/p>\n<p>&nbsp;<\/p>\n<p>When in 1871 Charles Garnier, who had been working on the completion of the Op\u00e9ra since 1865, asked Isidore Pils to decorate the grand staircase of the Opera Garnier, he was asking a well-established artist who was however more accustomed to \u201cpainting an entire regiment than the torso of a Venus\u201d.<a href=\"https:\/\/drawings-online.com\/en\/product\/sitting-woman-holding-a-jug-by-isidore-pils\/#_ftn1\" name=\"_ftnref1\">[1]<\/a>\u00a0This was the artist\u2019s last major work, which he managed to finish hardly two months before the inauguration of the opera house. He died a few months later. Having always been in poor health, it is likely that this final work finished him off. Despite his fragility, Pils had been a great traveller. In addition to the inevitable sojourn at the Villa Medici in Rome, he had visited the Crimea and the Orient where he had followed the French troops and had gone to Algeria from 1863 to 1865, just after his appointment as professor of painting at the Paris \u00c9cole des Beaux-Arts. A history painter who had trained under Guillaume Guillon Lethi\u00e8re and Fran\u00e7ois Edouard Picot, Pils was equally interested in religious and current subjects, especially military ones, as well as, influenced by his travels, Orientalism. As a professor, he had many pupils including Clairin and Renouard who assisted him for the ceiling of the grand staircase of the Op\u00e9ra and finished his work when he had to take to his bed, suffering from exhaustion.<\/p>\n<figure id=\"attachment_3631\" aria-describedby=\"caption-attachment-3631\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/drawings-online.com\/wp-content\/uploads\/2021\/07\/Pils-fig-1.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3631 size-medium\" src=\"https:\/\/drawings-online.com\/wp-content\/uploads\/2021\/07\/Pils-fig-1-300x192.png\" alt=\"\" width=\"300\" height=\"192\" srcset=\"https:\/\/drawings-online.com\/wp-content\/uploads\/2021\/07\/Pils-fig-1-300x192.png 300w, https:\/\/drawings-online.com\/wp-content\/uploads\/2021\/07\/Pils-fig-1-1024x656.png 1024w, https:\/\/drawings-online.com\/wp-content\/uploads\/2021\/07\/Pils-fig-1-768x492.png 768w, https:\/\/drawings-online.com\/wp-content\/uploads\/2021\/07\/Pils-fig-1-1536x984.png 1536w, https:\/\/drawings-online.com\/wp-content\/uploads\/2021\/07\/Pils-fig-1-600x384.png 600w, https:\/\/drawings-online.com\/wp-content\/uploads\/2021\/07\/Pils-fig-1.png 2026w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-3631\" class=\"wp-caption-text\">Fig.1<\/figcaption><\/figure>\n<p>The staircase proved to be the true \u201ccondensing\u201d point of the project presented by Charles Garnier, who wrote about it: \u201cThe Op\u00e9ra, it\u2019s the staircase, like at the Invalides, it\u2019s the dome, at Saint-\u00c9tienne-du-Mont, the rood-screen!\u201d<a href=\"https:\/\/drawings-online.com\/en\/product\/sitting-woman-holding-a-jug-by-isidore-pils\/#_ftn2\" name=\"_ftnref2\">[2]<\/a>\u00a0Polychrome, comprising the most precious marbles, it is designed like a theatre and is intended for a public that is itself performing. Its steps hug the curve of the onyx balustrade and 30 marble columns accompany the viewer\u2019s gaze towards the ceiling decorated in its four vaults with allegorical compositions painted on mounted canvases, lit by the skylight of a lantern. The subjects Pils chose to illustrate there, in agreement with Charles Garnier, are\u00a0<em>The Triumph of Apollo, The City of Paris Receiving the Plans the New Opera, The Combat of Minerva and Brute Force before Olympia, The Charm of Music<\/em>.<\/p>\n<p>With an elegance evocative of Prudhon, this study is also an efficient working tool. The plays of light that vary depending on both internal and external sources, are skilfully handled using white highlights and reveal a fully mastered technique.<\/p>\n<figure id=\"attachment_3632\" aria-describedby=\"caption-attachment-3632\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"https:\/\/drawings-online.com\/wp-content\/uploads\/2021\/07\/Pils-Fig.-2.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3632 size-medium\" src=\"https:\/\/drawings-online.com\/wp-content\/uploads\/2021\/07\/Pils-Fig.-2-300x143.png\" alt=\"\" width=\"300\" height=\"143\" srcset=\"https:\/\/drawings-online.com\/wp-content\/uploads\/2021\/07\/Pils-Fig.-2-300x143.png 300w, https:\/\/drawings-online.com\/wp-content\/uploads\/2021\/07\/Pils-Fig.-2-1024x490.png 1024w, https:\/\/drawings-online.com\/wp-content\/uploads\/2021\/07\/Pils-Fig.-2-768x367.png 768w, https:\/\/drawings-online.com\/wp-content\/uploads\/2021\/07\/Pils-Fig.-2-1536x735.png 1536w, https:\/\/drawings-online.com\/wp-content\/uploads\/2021\/07\/Pils-Fig.-2-600x287.png 600w, https:\/\/drawings-online.com\/wp-content\/uploads\/2021\/07\/Pils-Fig.-2.png 1886w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-3632\" class=\"wp-caption-text\">Fig.2<\/figcaption><\/figure>\n<p>This impressive sheet bears preparatory studies for figures in the painted decor Grand Stairs. The crossed legs prepare the figure of Love standing near Venus in the decor painted in the Eastern caisson representing <em>Minerva fighting the Brutal Force in front of gathered Olympus<\/em> (Fig. 1). As for the arm holding a stick, it relates to Cupid holding his bow in <em>The Charm of Music<\/em> in the Southern caisson (Fig. 2). Amongst the many studies relating to this d\u00e9cor, this beautiful sheet of studies particularly demonstrates the artist\u2019s vigorous draughtsmanship and beautiful technique as a decorator.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/drawings-online.com\/en\/product\/sitting-woman-holding-a-jug-by-isidore-pils\/#_ftnref1\" name=\"_ftn1\">[1]<\/a>\u00a0Charles Garnier,\u00a0<em>Le Nouvel op\u00e9ra de Paris<\/em>, Paris, 1878, in Jacques Foucart and Louis-Antoine Prat,\u00a0<em>Les peintures de l\u2019op\u00e9ra de Paris de Baudry \u00e0 Chagall<\/em>, Paris, Arthena, 1980, p.\u00a0153<\/p>\n<p><a href=\"https:\/\/drawings-online.com\/en\/product\/sitting-woman-holding-a-jug-by-isidore-pils\/#_ftnref2\" name=\"_ftn2\">[2]<\/a>\u00a0<em>Op. cit.<\/em>\u00a0p.\u00a0147.<\/p>\n<p><a href=\"https:\/\/drawings-online.com\/en\/product\/sitting-woman-holding-a-jug-by-isidore-pils\/#_ftnref3\" name=\"_ftn3\"><\/a>Condition report: Good overall condition. The four edges bear the traces of a former acid mount, but it does not affect the drawing or the paper colour (This mount can&#8217;t be keeped). A tiny blue studio stain in the middle of the sheet.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Isidore Pils Paris 1815 \u2013 Douarnenez 1875 Three Studies for the Grand Stairs decors in the Paris Opera\u00a0; a hand holding a stick, a left foot and crossed legs Black, red and white chalk on beige paper. Inscribed lower right with red chalk Op\u00e9ra. On the verso, later inscriptions caisson est du grand escalier. Numbered [&hellip;]<\/p>\n","protected":false},"featured_media":3635,"template":"","meta":{"_themeisle_gutenberg_block_has_review":false},"product_brand":[],"product_cat":[78],"product_tag":[37,346,269,353,421,165,16],"class_list":{"0":"post-3630","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-french-school","7":"product_tag-19th","8":"product_tag-19th-century-drawings","9":"product_tag-study","10":"product_tag-gallery","11":"product_tag-n7","12":"product_tag-opera","13":"product_tag-black-chalk","15":"first","16":"instock","17":"taxable","18":"shipping-taxable","19":"purchasable","20":"product-type-variable"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Three Studies for the Grand Stairs decors in the Paris Opera by Isidore Pils<\/title>\n<meta name=\"description\" content=\"Isidore Pils Paris 1815 \u2013 Douarnenez 1875 Three Studies for the Grand Stairs decors in the Paris Opera\u00a0; a hand holding a stick, a left foot and crossed legs Black, red and white chalk on beige paper. Inscribed lower right with red chalk Op\u00e9ra. On the verso, later inscriptions caisson est du grand escalier. 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