{"id":3605,"date":"2021-07-02T19:30:47","date_gmt":"2021-07-02T17:30:47","guid":{"rendered":"https:\/\/artesepia.com\/product\/\/"},"modified":"2023-01-17T18:54:11","modified_gmt":"2023-01-17T17:54:11","slug":"rencontre-de-chasseurs-devant-la-grotte-du-bonnant-par-louis-albert-guislain-bacler-dalbe","status":"publish","type":"product","link":"https:\/\/drawings-online.com\/en\/product\/hunters-meeting-in-front-of-the-bonnant-cave-by-louis-albert-guislain-bacier-dalbe\/","title":{"rendered":"Hunters meeting in front of\u00a0the Bonnant Cave by Louis-Albert-Guislain Bacier d\u2019Albe"},"content":{"rendered":"

Louis-Albert-Guislain Bacier d\u2019Albe<\/strong><\/p>\n

Saint Pol, 1761 \u2013 S\u00e8vres, 1824<\/p>\n

Hunters meeting in front of\u00a0<\/em><\/strong>the Bonnant Cave<\/em><\/strong><\/p>\n

Gouache<\/p>\n

Signed and dated at the bottom,\u00a0Ber<\/sup>. Dalbe. 1795.<\/em><\/p>\n

370 x 520mm<\/p>\n

Provenance \u2013\u00a0Paris, \u00e9tude Morand, 25th November 2013, n\u00b0 13.<\/a><\/p>\n

\u00a0<\/h4>\n

Celebrated Napoleonic General<\/strong><\/h4>\n

Louis-Albert-Guislain Bacler d\u2019Albe\u2019s military career began in 1793 when he joins the revolutionary army and meets Bonaparte, a gunner like him, during the siege of Toulon. As an officer, he was posted to the Italian army the following year and named official cartographer.\u00a0 The future emperor follows Bacler d\u2019Albe\u2019s work and in 1796 commissions him to map the coastline from Nice to Savona. He participates in many campaigns, notably the Battle of Arcole. The general decides to put Bacler d\u2019Albe\u2019s draughtsman skills to use in creating propaganda and asks him to produce portraits and combat scenes. In particular, Bacler d\u2019Albe creates battle scenes, many of which are kept in The Louvre, such as\u00a0Bataille d\u2019Arcole, 17 novembre 1796<\/em>\u00a0(inv. 2397<\/a>),\u00a0Bataille de Rivoli, 14 janvier 1797\u00a0<\/em>(inv. 2398<\/a>) and\u00a0Napol\u00e9on visitant les bivouacs de l\u2019arm\u00e9e fran\u00e7aise \u00e0 la veille de la bataille d\u2019Austerlitz, 1er<\/sup>\u00a0d\u00e9cembre 1805<\/em>\u00a0(inv. 2399<\/a>) (Napoleon Visiting French Army Bivouacs on the Eve of the Battle of Austerlitz, 1st December 1805)[1]<\/a>.<\/p>\n

 <\/p>\n

Bacler d\u2019Albe enters Napoleon\u2019s personal service in 1799 when his role becomes prominent \u2013 in 1804 appointed head of the Topographical Bureau. During campaigns, he shares Napoleon\u2019s tent and works closely with the general in the development of both maps and military strategy: \u201cHe slept in his tent with his equipment and prepared the maps which he himself had coloured, marked the positions of the army corps with coloured pins, calculated distances with a compass, represented the topography of the terrain for the Emperor\u2019s manoeuvering plans, advised on the means of attack\u2026.<\/em>\u201d[2]<\/a>\u00a0Considered one of the foremost cartographers of his time, Bacler d\u2019Albe perfected the representation of relief through shadow play. He produced the first complete map of Italy (1797-1802) titled\u00a0Carte du Th\u00e9\u00e2tre des campagnes de Bonaparte en Italie\u00a0<\/em>(Map of Bonaparte\u2019s Campaign Theatre in Italy), then the first homogenous map of Europe, known as \u201cThe Emperor\u2019s Map\u201d. \u00a0\u201cMost of our engravers attached to the War Office owe their reputation and their talent to the care of our illustrious Artesian!\u201d[3]<\/a><\/p>\n

 <\/p>\n

A Successful Young Draughtsman<\/strong><\/h4>\n

Before taking up his brilliant military duties, Bacler d\u2019Albe, born in 1761 in Artois, settled in Sallanches in 1785, in the Mont Blanc region, busy drawing the marvellous sites before his eyes. Enthused by the beauty of the Alps, he stayed there for seven years: \u201cDriven by a passion for painting on mountain peaks, he grasped the sequence and ramifications of these agglomerated masses and became, at the same time, painter and geographer.\u201d[4]<\/a>\u00a0The artist asserts himself as a privileged witness to the evolution of the Chamonix, Saint Gervais and Sallanches valleys between the end of the eighteenth and the nineteenth centuries, when a revolution in tourism takes place due to Mont Blanc\u2019s notoriety and its ascent by Nichel Gabriel Paccard and Jacques Balmat (whose portraits he painted) in 1786. During this period, Bacler d\u2019Albe produced many views of the region, much appreciated by the public: \u201cBetween 1780 and 1800, he who sells the most in Savoy and Switzerland is Bacler d\u2019Albe, constantly on excursion to take in new sites<\/em>\u00a0from<\/em>\u00a0the surrounding countryside, constantly visited by famous travellers.<\/em>\u201d[5]<\/strong><\/a><\/em>\u00a0Between 1788 and 1790, he publishes 48 illuminated landscape plates of Haut-Faucigny and Mont-Blanc.[6]<\/a><\/p>\n

 <\/p>\n

A Memory of a Place<\/strong><\/h4>\n

\"\"<\/a><\/p>\n

This delicate gouache executed in 1795 at the end of Bacler d\u2019Albe\u2019s stay in Haute-Savoie, presents the interior of a cave dug into the mountain range, at the entrance of which two hunters accompanied by their dogs, make a stop. The composition is similar to a lithograph titled\u00a0Grotte de Bonnant Vall\u00e9e de St Gervais, Mont Blanc<\/em>\u00a0(fig.1), engraved by Engelmann after a drawing by Bacler d\u2019Albe for the work\u00a0Souvenirs pittoresques du g\u00e9n\u00e9ral Bacler d\u2019Albe<\/em><\/a>\u00a0(Picturesque Memories of General Bacler d\u2019Albe), published in 1818.[7]<\/a>\u00a0Taken from a slightly offset angle, the rock cavity opens onto a mountainous landscape from which two hunters chasing a fox emerge. The succession of planes guiding the spectator\u2019s gaze to the hills in the background and the picturesque treatment of the rocks, the poetry emerging from the site, are imbued with the Pre-Romantic taste.<\/p>\n

\u00a0<\/u><\/p>\n

The Bonnant Caves that no longer exist today due to changes in terrain made by erosion and extreme weather, were to be found along the Bon-Nant torrent, a left bank tributary that flows through the Val Montjoie aux Contamines to a confluence at Saint-Gervais en Haute-Savoie. This place was a place of passage for travellers crossing the Joly, Bonhomme and Seigne passes. In the background, one sees the silhouette of mountains carved out of the blue sky that could be an evocation of the Aiguilles de Warens, visible from the Sallanches and Saint-Gervais valleys.<\/p>\n

 <\/p>\n

Fame<\/strong><\/h4>\n

At the fall of the Empire, Bacler d\u2019Albe makes lithography fashionable by executing hundreds of prints derived from the drawings he brought back from campaigns conducted in Europe between 1793 and 1814. In S\u00e8vres he creates an art group in order to launch this new trend with the public, and publishes collections that consolidate his celebrity.\u00a0Souvenirs pittoresques\u00a0<\/em>or\u00a0Vues lithographi\u00e9es de Suisse, du Valais\u00a0<\/em>(Picturesque Souvenirs or Lithographic Views from Switzerland, Valais) in 1810,\u00a0Promenades pittoresques dans Paris et les environs\u00a0<\/em>(Picturesque Walks in Paris and its Surroundings) in 1822 and\u00a0Souvenirs pittoresques de la campagne d\u2019Espagne<\/em>\u00a0(Picturesque Memories of the Spanish Countryside) in 1824.<\/p>\n

 <\/p>\n

[1]<\/a>\u00a0His landscapes and battle paintings are numerous, placing him alongside artists such as Bagetti, Gros, Lejeune and Carle Vernet.<\/p>\n

[2]<\/a>\u00a0Jacques Jourquin in\u00a0Dictionnaire Napol\u00e9on,<\/em>\u00a0under the direction of Jean Tulard, Paris, Fayard, 1987.<\/p>\n

[3]<\/a>\u00a0M\u00e9moire de l\u2019acad\u00e9mie d\u2019Arras, royal society of sciences, letters and the arts, S\u00e9ance publique of the 25th August, 1835, Arras, at Jean Degeorge, printer, 1836, p. 177.<\/p>\n

[4]<\/a>\u00a0 Idem., p.175.<\/p>\n

[5]<\/a>\u00a0John Grand-Carteret,\u00a0The Mountain through the Ages<\/em>, Librairie Dauphinoise, Grenoble, 1903, p. 452.<\/p>\n

[6]<\/a>\u00a0Tableaux du haut Faucigny d\u00e9di\u00e9s \u00e0 son Altesse Royale Monseigneur le Prince de Pi\u00e9mont par A. Bacler d\u2019Albe, \u00e0 Sallanches, chez l\u2019auteur<\/em>. The British Museum has a brochure containing six views of Sallanches with a title page dedicated to the Prince of Piedmont (inv. 1958,0712.3080.1-6) including\u00a0Vue de l\u2019entr\u00e9e de la Caverne de Balme<\/em><\/a>, (View of the Entrance to the Caverne de Balme).<\/p>\n

[7]<\/a>\u00a0Copy kept at the Swiss National Library in Bern (code Kaf CH 82 Res). With the fall of the Empire, Bacler d\u2019Albe returned to Sallanches and published an album of lithographs based on old drawings and landscape sketches, engraved by Engelmann.<\/p>\n

Condition report: Very fresh gouache.\u00a0Pasted onto card, slight abrasions around the edges; minor paper loss on the upper edge; attempted removal from support from behind in the upper right corner.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

Louis-Albert-Guislain Bacier d\u2019Albe Saint Pol, 1761 \u2013 S\u00e8vres, 1824 Hunters meeting in front of\u00a0the Bonnant Cave Gouache Signed and dated at the bottom,\u00a0Ber. Dalbe. 1795. 370 x 520mm Provenance \u2013\u00a0Paris, \u00e9tude Morand, 25th November 2013, n\u00b0 13. \u00a0 Celebrated Napoleonic General Louis-Albert-Guislain Bacler d\u2019Albe\u2019s military career began in 1793 when he joins the revolutionary army […]<\/p>\n","protected":false},"featured_media":3606,"template":"","meta":{"_themeisle_gutenberg_block_has_review":false},"product_brand":[],"product_cat":[78],"product_tag":[37,299,346,296,353,31,300,298,421,297,120],"class_list":{"0":"post-3605","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-french-school","7":"product_tag-19th","8":"product_tag-cartography","9":"product_tag-19th-century-drawings","10":"product_tag-empire","11":"product_tag-gallery","12":"product_tag-gouache","13":"product_tag-mont-blanc","14":"product_tag-mountain","15":"product_tag-n7","16":"product_tag-napoleon","17":"product_tag-landscape","19":"first","20":"outofstock","21":"taxable","22":"shipping-taxable","23":"purchasable","24":"product-type-simple"},"yoast_head":"\nHunters meeting in front of\u00a0the Bonnant Cave by Louis-Albert-Guislain Bacier d\u2019Albe<\/title>\n<meta name=\"description\" content=\"Louis-Albert-Guislain Bacier d\u2019Albe Saint Pol, 1761 \u2013 S\u00e8vres, 1824 Hunters meeting in front of\u00a0the Bonnant Cave Gouache Signed and dated at the bottom,\u00a0Ber. Dalbe. 1795. 370 x 520mm Provenance \u2013\u00a0Paris, \u00e9tude Morand, 25th November 2013, n\u00b0 13. \u00a0 Celebrated Napoleonic General Louis-Albert-Guislain Bacler d\u2019Albe\u2019s military career began in 1793 when he joins the revolutionary army…\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/Louis-Albert-Guislain%20Bacier%20d\u2019Albe%20Saint%20Pol,%201761%20\u2013%20S\u00e8vres,%201824%20Hunters%20meeting%20in%20front%20of\u00a0the%20Bonnant%20Cave%20Gouache%20Signed%20and%20dated%20at%20the%20bottom,\u00a0Ber.%20Dalbe.%201795.%20370%20x%20520mm%20Provenance%20\u2013\u00a0Paris,%20\u00e9tude%20Morand,%2025th%20November%202013,%20n\u00b0%2013.%20\u00a0%20Celebrated%20Napoleonic%20General%20Louis-Albert-Guislain%20Bacler%20d\u2019Albe\u2019s%20military%20career%20began%20in%201793%20when%20he%20joins%20the%20revolutionary%20army…\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hunters meeting in front of\u00a0the Bonnant Cave by Louis-Albert-Guislain Bacier d\u2019Albe\" \/>\n<meta property=\"og:description\" content=\"Louis-Albert-Guislain Bacier d\u2019Albe Saint Pol, 1761 \u2013 S\u00e8vres, 1824 Hunters meeting in front of\u00a0the Bonnant Cave Gouache Signed and dated at the bottom,\u00a0Ber. 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